When Fetty Wap burst onto the scene back in 2015, fans were immediately drawn to his music. His run was something that will forever be remembered by hip-hop fans and to this day. Fetty Wap continues to drop dope new projects and singles that contain an alternate sound from what he started with. His latest effort is a track called “ Speed” which also comes with a dope music video that truly feels like some sort of cinematic universe. As for the song itself, we get some catchy vocal lines from Fetty who has always been known for his abilities when it comes to writing repeatable hooks. With this track, we see Fetty trying to woo a woman while explaining exactly why she needs him. “FOREIGN SONGS…

She’s not one to hold her tongue, and it sounds as if Masika Kalysha is lashing out in the studio. The multihyphenate entertainer and businesswoman has been steadily working on her rap career for years. Masika unleashed “ Masether,” a single where she spits a barrage of bars at Tory Lanez, a response to him mentioning her in his track “Sorry I Had To.” Lanez included a number of entertainers who spoke out against him while also praising Kylie Jenner. On “ Masether ,” Masika stated that she decided to bite back at the Canadian artist because he mentioned her daughter, Khari, in his lyrics. There are all sorts of allegations strewn throughout the track, so you’ll just have to press play to get your fill. The Shade Room reposted Masika’s artwork and music, so Tory jumped in the comments to make fun of her. “Not the thunder in the artwork hitting with the drop off,” he wrote with laughing emojis. “FOREIGN SONGS…

Another day, another milestone hit by Eminem . This time, we’re looking at the seven-year anniversary of The Marshall Mathers LP 2, one of the most divisive albums of his career. For one, it found Em moving further away from the foundation he built alongside Dr. Dre, instead working with the legendary Rick Rubin, who brought a rock-inspired sensibility to the project. While Rubin’s production remains a point of contention for some of Em’s fanbase, The Marshall Mathers LP 2 wasn’t entirely a departure, with songs like the conclusive “Evil Twin” serving as a bloody reminder of Slim Shady’s villainy. A near-six minute clinic of nonstop bars — essentially a darker companion track of the legendary “Rap God” — “ Evil Twin” provides Slim with a slow-burning and menacing instrumental from Sid Roams. Matching the beat’s pace, Em delivers a methodical flow with space for the myriad punchlines to land. Calling back to some of his vintage lyrical content, Em effortlessly weaves between rhyme schemes as he puts his cleverness on display. “FOREIGN SONGS…

Today is a very special day in the career of Kanye West as it marks the 10-year anniversary of My Beautiful Dark Twisted Fantasy . In the eyes of many, this is Kanye’s magnum opus and could very well be considered to be the greatest album of all- time. From start to finish, Kanye provided fans with a stunningly gorgeous soundscape that featured a plethora of talented artists, record producers, and engineers. Of course, the album has some undeniable standouts like “Monster,” “All Of The Lights,” “Gorgeous,” “Runaway,” and, of course, “Devil In A New Dress” with Rick Ross. From the heavenly vocal samples to the braggadocios bars, Kanye was at his absolute best on this track. Rick Ross’s contribution to the song is just as incredible, especially when you consider how Ye actually forced Ross to re-write the verse. This turned out to be an amazing decision as “Devil In A Dress” arguably contains the best verse of Ross’s illustrious career. “FOREIGN SONGS…

There’s no denying the narrative that Nas ‘ fourth studio album Nastradamus is widely considered to be the low point of his otherwise acclaimed career. Released on the heels of the back-to-back run that was Illmatic, It Was Written, and I Am… Some might have argued that Nas was destined to stumble on the basis of pressure alone. Not only that, but the soundscape was in the process of shifting, with several New York emcees steadily experimenting with a more commercial production aesthetic. The transition proved difficult for the acclaimed lyricist, who occasionally found himself stumbling over some downright strange production choices. Yet that’s not to say the mark was altogether missed, as an emcee of Nas’ caliber seldom strikes out without connecting at least once or twice. Unsurprisingly, one of the highlights arose on “Come Get Me,” a reunion with the legendary DJ Premier . “FOREIGN SONGS…